Inspired by Richard Wagamese's novel,
an exhibition based on nature and black & white.
With works by Philippe Chancel, Rune Guneriussen, Irma Kalt,
Angélique Lecaille, Justin Weiler, Jean-Claude Pondevie.
Inspired by Richard Wagamese's novel, an exhibition based on nature and black & white.
With works by Philippe Chancel, Rune Guneriussen, Irma Kalt, Angélique Lecaille, Justin Weiler, Jean-Claude Pondevie.
Inspired by the French title of Richard Wagamese's novel, the exhibition "Les étoiles s'éteignent à l'aube" (Stars turn off at dawn) pays tribute to the great outdoors, but also to the quest for self and the encounter with origins recounted by the indigenous Canadian writer.
Immersed in the Scandinavian forest, Rune Guneriussen installs his ephemeral sculptures in a solitary process akin to meditation, where the image before our eyes is the only trace of its passage, and where man must step aside to make way for the powerful beauty of nature.
Light also shines through Justin Weiler's latest work, in which he constructs a suspended space and, further on, a magnificent diptych that invites us to contemplate the passing of time.
Rennes-based artist Angélique Lecaille takes her inspiration from the origins of the world and natural phenomena to compose her drawings of rocks and meteorites in graphite, suspended in flight from copper strips. A geometric gesture found in Irma Kalt's stencil drawings, softened by the movement and folds of the fabric represented. Meticulously superimposed as she does in silkscreen, her lines bear the trace of long, meditative work, like strata of memories.
Jean-Claude Pondevie's photographs ask visitors to stop and take their time before these monochromes, which reveal their light, their constructions and their details as they are observed.
Time speeds up in front of Philippe Chancel's Rebels portraits, where the rebel stars of the Parisian night seek their identity with fury and rage, at the risk of burning their wings.
"Les étoiles s'éteignent à l'aube" is a temporary black and white, a suspended space, like a memory, a dream, where reality will resume its course in color at the end of the exhibition.